Wednesday, December 31, 2008

Meaning Colors Gel Wrist Band

I'M FROM HOLLYWOOD - THE LEGEND OF ANDY KAUFMAN



There are events that leave their mark in wrestling that will remain forever in the memories of fans. Then there are events that leave their mark wrestling but that is hardly remembered by many as the story I'm about to tell.
Have you ever heard of Andy Kaufman?

No? Yet it is a legend of wrestling!

Well ... actually he was one-man show, a sort of surreal comedy, here ... but still fought hundreds of meetings from 1979 to 1983 retiring as undefeated champion, taking the title in the tomb of "Intergender Wrestling Champion ".
What? You've never even heard of this title?
Well ... then it is il caso di cominciare a raccontare la leggenda di Andy Kaufman.
   
Andy Geoffrey Kaufman
naque il 17 gennaio del 1949, a New York da genitori ebrei. Da piccolo era Teledipendente e sognava di diventare, un giorno, il più grande entertainer del mondo. Kaufman fu etichettato come comico, una definizione che andava stretta sia a lui che ai fans che lo seguivano. Andy non era né il più famoso o il più acclamato comico del suo tempo. Egli era uno Showman!

Come dice infatti il suo amico fraterno e complice, Bob Zmuda: "There is an unwritten rule that binds the comedian and his audience: the comic is expected to make the audience laugh. Andy has been erroneously labeled as made his debut as a comedian in comedy clubs (cabarets American ), and so the audience was often puzzled and even irritated when he did not laugh. But Andy felt the growing tension in the room and eat it like a comic book superhero that devours negative energy. This was the reward for having called comedian.
think I'm funny? Then I'll show you .... "

He had many passioni: quella per Elvis, quella per le prostitute (molte di esse vennero persino a New York per il suo funerale), quella per la meditazione trascendendale e non ultima la passione per il wrestling, tanto che volle intervistare il famoso “Classy” Freddie Blassie in uno dei suoi discussi special.

Era un tipo strano, unico. Anzi duplice. Soffriva di sdoppiamento di personalità. Lui si truccava, mutava radicalmente il suo aspetto e diventava l’altro Andy, un cantante di Las Vegas di nome Tony Clifton, che appariva nei locali, in TV, quasi contemporaneamente ad Andy. Andy era un personaggio sostanzialmente buono, Tony era un cattivo. An unpleasant. A presumptuous. Odious.

In his performances he used to annoy the audience with jokes and bad attitudes really irritating.

There are people who still believe that Tony is not Andy, but we leave this topic because we need long to understand how this situation we should pause for a long time 'for you to realize that this guy was Tony and that he had relationships with Andy in this regard I recommend you see the movie "Man on the Moon" with Jim Carrey, and I refer you to the end of the book you will find links to explore everything.

But let the topic that interests you most: What does a Showman with wrestling?

Kaufman loved wrestling, and most adored the "heel" ... but he had neither the physical nor the strength nor the face to become a wrestler. Speaking with his friend Bob Zmuda came out that there is nothing to irritate more people than one who takes issue with the weakest. But who was weaker than an Andy Kaufman?


He decided to include in his performances steadily for a moment that would annoy the female audience and then challenge them on a real wrestling ring (1979). But it was not a sporadic thing, women really hated Kaufman, machismo, he enjoyed it and now the match against a woman represents a milestone in his shows. He even invented the title "Intergen" putting up for grabs (about 400 times in total) always against opponents of the fairer sex.

One day in an arena of the USWA, Kaufman began his usual speech against women and against the people of the southern United States (they were in Memphis in Tennessee), but was suddenly interrupted by none other than Jerry "The King" Lawler, the King of Memphis!

Lawler, irritated by his speech he said something like, "Kaufman, if you think you have to challenge a man a man!" Andy agreed and the rest is history.
Kaufman vs Lawler was advertised in the United States, making even a domestic case.

The two fought in Memphis on April 5, 1982.

The match began with Kaufman that he refused (to be true heel) to enter the ring, Lawler Kaufman to convince him to climb a huge advantage by giving it a Headlock advantage (see picture).
Andy accettò e mentre ripeteva al pubblico “I’m from Hollywood!!!”, Lawler reversò la presa alla testa trasformando la mossa in un backdrop devastante! Così “The King” in controllo volle eseguire un forte Piledriver che infortunerà al collo Kaufman. La mossa era allora bandita dal regolamento della USWA, quindi Lawler fu squalificato ed Andy Kaufman vinse per squalifica.

Ad esso seguì il 28 Luglio dello stesso anno l’invito ad entrambi da parte del “Late Show” di David Letterman. Dopo aver visionato assieme la registrazione del match, Letterman cominciò a fare qualche domanda a Kaufman, mentre Lawler commentava con cinismo le sue dichiarazioni. Ad un certo punto “The King” irritato delle dichiarazioni di Andy si alzò dalla sedia e diede un pugno diretto alla faccia dell’infortunato Kaufman. Letterman imbarazzato manda la pubblicità. Al ritorno dalla pubblicità in diretta, si vede Kaufman alzato che insulta pesantemente Jerry Lawler, con Letterman che cerca di fermarli. A questo punto Andy prende la tazza di caffe e la tira in faccia al Re, bagnandolo. A questo punto Kaufman uscì di scena e Letterman salutò, ringraziandoli, entrambi gli invitati .

Alla fine si scoprì che tutta questa storia non era altro che un “work” of both. Lawler said he had arranged it together with Andy and the story ended there.
Many other celebrities have trod the ring in recent years, among them Muhammad Ali, Mr. T, Dennis Rodman in the nWo, Kevin Greene, Mike Tyson, Karl Malone, David Arquette, Cyndi Lauper and Jay Leno but no one, and I repeat no one marked the history of wrestling, as did Andy Kaufman, who was able to live out the fantasies that many wrestling fans only dream of doing. Using his fame as a showman, Kaufman was able to enjoy a lot as one of the meanest wrestler that this sport has ever produced. The
his skills in the ring were very questionable, but his skill at the microphone and his charisma made him one of the heel of greater impact than ever.

Kaufman died on May 16, 1984 of lung cancer in his grave ... taking the title of Intergender Wrestling Champion ...

dies Andy Kaufman, Tony Clifton not.
Strange is not it?
But Clifton was Andy Kaufman. And then how is this story?

There are people who still believe that Clifton was another person. In fact, to continue to live The Legend of Kaufman and his split personality never declared, other comedians continued to exhibit an alter-ego of Andy Kaufman, one of the most important ones in the Jim Carrey film about Kaufman (the aforementioned "Man On The Moon") and his close friend Bob Zmuda.
If history has fan, I recommend watching the film dedicated to him, "Man On The Moon", which in addition to an excellent soundtrack (REM, big fans of Kaufman, sang "Man on the Moon" , the text speaks of his own), has an exceptional provision of Carrey.
Small curiosity: Andy Kaufman appears also in the roster of video game "Legends of Wrestling 2" Acclaim as the secret character. In addition, more recently, the WWE has produced Action Figures dedicated to this incredible story!

If there was captivating story, get the special DVD "I'm From Hollywood" which tells all the whole story and much more!

Tuesday, December 9, 2008

When Did The Simpsons Decline

Catania o Responsabilita'

At the University 'of Catania researchers 15 have died and dozens more are ill with various cancers, poisoned over the years by the lack of security measures in the laboratory di Farmacia.


L'insieme di omerta' e paura dei cosidetti poteri forti dell'universita' e della citta' ha tenuto lo scandalo sotto
coperta per anni. Adesso finalmente scoppia lo scandalo, anche se non mi sembra di vedere troppi
scandalizzati. La cosa mi riempie di sgomento


Soprattutto una cosa mi da le allucinazioni convulsive (si, sono arrabbiato): nessun commento e soprattutto
nessuna azione da parte delle alte cariche dell'universita stessa. Il rettore tace. Ma come tace?

Ecco cosa
succederebbe in un paese che dimostrerebbe piu' civilta': il rettore si sarebbe gia' dimesso da un pezzo, e con
lui le persone che siedono piu' in basso nell'albero delle responsabilita', nei rami di quell'albero coming to the laboratory. In my opinion in America or in many other places in Europe, and the people 'used to these things. Why

', what' s the basis for high office? I see two things that go, and must always go hand in hand: power and responsibility '. Closely followed by a proportional salary, what should not be overlooked. High office, from parliament to the small company earns in proportion to the level of responsibility '. The principle and 'right itself', in line with the "proportional gain to risk, current economic thinking. Here is what a responsible the upper floors of the hierarchy always': responsible. And so 'the rector of the university '.

Important: This is not 'justicialism Square, and forcaiolo boorish indifference. It 's very easy to imagine that the rector and his co-responsible for the disaster would not have some, and perhaps were not even aware of what was happening. But even in this case, they are responsible of this microworld, 'cause invested with that position, and therefore the responsibility' of that power and that wage.

does not matter 'cause that thing' happened: they are professionally those responsible, and professionally will have to pay the bill. Professionally giving his resignation, and we are all due, then civilly or criminally after the results of investigations. You can 'also think that at the end of the investigation, they are re-inserted, perhaps in a minor key, if the responsibility' will be totally cleared and they will be released unharmed. But now, now, just take some of your responsibilities' and leave the place. Now. Otherwise

a high rank, losing responsibility ', does not keep in a pocket other than the power and the corresponding money. From becomes responsible only master. These were the monarchy and dictatorship, systems that the story down with force. And I like that sounds like a threat. In democracy masters without responsibility ' should not there be in the public and private sector. In case the resignation of the rector and his co-responsible for me turning the spotlight once again, if proof were needed, one of those bags dictatorial monarchy. Based on them, at different scales, many of our plans condo-land.

Forza Catania.

Saturday, December 6, 2008

What Size Pipe Do I Use For Dunebuggie

FiabePitture di Ciro Palumbo


Naonisart presents FiabePitture Ciro Palumbo


The mysterious and spatial references of the past Ciro Palumbo
Artist genuine and "uncontaminated" by the contemporary trends, Ciro Palumbo mixes multiple references derived from the classical world and condenses them into one style, refined and cultured together through a direct language characterized by fabulistici tones, thanks to them he can create the illusion of the dream vigoroso per l’impianto ricco di elementi naturali e di simboli arguti e per l’iconografia rassicurante dalle architetture senza tempo e dagli spazi vuoti e silenziosi. Il suo originale ed intenso slancio, con cui l’artista vive il rapporto tra realtà e fantasia, sembra ammantarsi di frammenti della “mediterraneità” per proiettarsi verso gli inquieti meandri della psiche, ove potersi immergere alla ricerca di identità. Sensibile ai veementi sapori e agli esaltanti odori tipici delle rigogliose ed assolate coste italiane, Palumbo dilata la realtà in un habitat liricamente puro, forte di scenari unici nei quali la bellezza delle visioni vive nella veemenza delle forze della Natura e, tra accenti nostalgici e riverberi incantati, welcome to the canvas with the motions of effective innate expressive and coloristic concreteness, evoking moments lived intimately from his psyche in close combination with the tangible and passions with the inexhaustible world of dreams. Many impressive works drag the viewer into a fascinating world, full of passionate thoughts and deep reflections, in which the contrasts between light and infused with the dark shadows and sharp, between the cool-headed and sharp tones and the scaffolding by generating a substantial body of theatrical lyricism that envelops every subject makes fabulous, romantic, but never unreal, if anything spiritual. Thanks to the "mysterious space" imbued with references to the past, unable to penetrate Ciro Palumbo in a very lively dialectic between reality and appearance, that would engage the entire surface of the painting and beyond, chanting fans with a restless rhythmic flares latent, while the "top" and "background" is looking for and chasing where introspection is absorbed and lives between delicacy and tonal refinement synthetic. His works have enchanted environments charm and mysterious atmosphere in the silent but overwhelming for dramatic emphasis, they also invite you to reflect with flashes of uncommon energy, caused by the inevitable loss when it enters into the emerging existential issues, and to relive the dream into reality. In his paintings the art, skills di condensare i mille grovigli della psiche umana in simboli percepibili e interpretabili, diventa lo specchio dei suoi desideri, la mirabile eco del suo intendere, la inesauribile aspirazione al vero, il riscontro indispensabile della stessa esistenza.
Carlo Roberto Sciascia (critico d’arte )



Artista Ciro Palumbo
presentazione critica di:
Carlo Roberto Sciascia

Curatori:
Carlo Capone Vicepresidente dell'Ass.Culturale Naonisart ,
Angelo Ranieri Art direct Ass.Naonisart di Aversa,
Carmine T.V. Verazzo segretario Ass.Naonisart di Aversa.

per informazioni cell:3397655841

Spazio espositivo Sala Caravaggio Ex Macello Aversa



Titolo dell'evento FiabePitture di Ciro Palumbo

Data di vernissage 20/12/2008

ore 18



Data di chiusura 22/12/2008 ore 18
Orari di apertura 8-12:30 17:22
Biglietto l'ingresso è libero
Orario del vernisage 18:00-22:00

www.naonisart.it

http://expoartcc.ning.com/

Thursday, December 4, 2008

Soft Tub Tries To Come On Then Resets

The Human Zoo CARMEN LUNA ...! Spectacular!

Para ver el Video de Arte
" El ZOO HUMANO por CARMEN LUNA"
In order to see the Video of Art
" The Human Zoo by CARMEN LUNA "

Monday, November 24, 2008

What Sized Big Green Egg For Boston Butt

Ricerca italiana su Nature

Strong emphasis on Nature to what happens in Italy. For my part, big congratulations to the guys who seem to be becoming better organized (us) in the past. An editorial, a letter Precarious Researchers and another, published together in the latest issue of Nature. Demonstrate attention by large I did not expect, maybe we take with us, if he likes nasty collapse. Thank goodness.

The recipe, for once, it seems very simple: Stop with the Centralized competitions, and off to a healthy and transparent meritocracy that rewards results. I have heard object (Annozero): "How to judge the work of researchers? You can not 'is certainly not' easy, but who cares, let's just, look at publications and bon. It 's not perfect, ok, but as a first approximation you can' do well. As if one died of hunger does not accept a good lunch 'cause the board not and 'well-laid. Come on, there's no excuse. Only meritocracy can 'heal from dinosaurs unnecessary and mobsters from nepotism funds disappeared. Sure it takes a good control, that is.

For those who can not read the link of Nature, 'cause damn fee, here is a small excerpt:

Situations vacant

Italy's universities Should be free to hire who They Want - and Should Be accountable for the result.

It Took Demonstrations violent street to force the Italian government to backtrack on ITS Proposal to enact - hot on the heels of a hefty budget cut - a Major Reform of the nation's universities through decree. Last week, education and research minister Mariastella Gelmini agreed instead to put her planned reform through normal legislative procedures, which, unlike a decree, will involve parliamentary debates and, hopefully, consultation with the universities.



But on 6 November, Gelmini rushed through part of the reform in a decree anyway. With a round of concorsi, the national competitions to select academic staff, due to start within days, Gelmini introduced a relatively minor change in the procedures of the committees that select the staff. The not-so-minor result is that those concorsi, for 1,800 professorships, will be delayed by at least three months. And if the change is challenged in court, as it may well be, the delay could stretch beyond a year — at a time when Italian universities have already been unable to recruit new professors for more than four years.



The cumbersome concorso system does not need such tinkering, it needs to be abandoned . Imagine if the Massachusetts Institute of Technology (MIT) in Cambridge had to tell Washington whenever it had an vacancy; then wait for the administration to collate enough empty posts nationwide to warrant opening a competition; and then allow academics from all universities to elect a national, discipline-related committee to choose the candidate — a committee on which only one MIT representative could sit .



Such centralized recruitment has been a feature of Italian universities for the best part of a century. It wasn't until the 1990s that universities gained sufficient control of their budgets to decide how many professors they wanted to recruit, even if they couldn't choose the successful candidates. The government refuses to grant them that last authority partly because politicians fear that, left to themselves, some universities would appoint professors on the basis of their local political and personal connections rather than their scientific merit. There is good reason for this worry: it happens even within the concorso system.



Nonetheless, Italy's universities should be allowed to recruit whomever and however they want — with the all-important proviso that they also be evaluated on their academic performance. If the best-performing universities received more state support, and the underperformers received less, the incentive to play politics when hiring would plummet.



Italy's previous, centre-left government paved the way for such a system just before it fell in April, when it passed a law to create ANVUR, an agency to evaluate university and academic performance. Gelmini simply needs to complete the establishment of ANVUR, get it working and put an end to the concorso system. Her predecessor had recognized that it would take a while to establish the new institution and so had set in motion the current, now frozen, round of concorsi to allow university life to go on. Gelmini was wrong to interfere with it.



A level of reform is clearly needed. Because Italian universities to take responsibility for Do not Have Any recruitment Decisions, Some Have Become lax, lazy and bloated. But Reforms need to be done with a strong, knowledgeable and clever hand - something Gelmini That has so far failed to provide.

Tuesday, November 11, 2008

Machine-making Bees Wax Blueprints

CRIS ACQUA Henri Toulouse Lautrec exposes in Italy in I

CRIS ACQUA Italian artist exhibits in" Liberaeva "
A place where art meets the photographers, writers and painters.
His works must have some sense erotic como es la serie de pinturas en homenaje a "TOULOUSE LAUTREC "

GALLERY CRIS ACQUA
Omaggio a Henri Toulouse Lautrec
"La porta delle mia arte..."

www.crisacqua.com

Monday, November 10, 2008

Plans Outdoor Shuffleboard

Carla Peccolo dell'Anima volti




Carla Peccolo in I volti dell'Anima
presenta
Enzo Santese
performance dell'artista accompagnato da poesia e musica
inaugurazione 4 Dicembre ore 20:00 presso
Letterario caffè "IL CONVENT" Piazza della Motta


Pordenone dal 1 to 20 dicembre 2008

Saturday, November 1, 2008

Jon Kate Plus 8 Hit The Road On Dvd

Divine Diva GRETA GARBO ... ALWAYS!


GRETA ... Silence ...
Voices off, not knowing ...
Why you searched for ...?
Why do not you have found ...?
maybe ... because only in silence,
Art to Art
could unravel tu misterio.
Mirada…que dice…que no dice…
oscuridad, soledad y SER.
GRETA divina inalcanzable
atrapada por un instante
inacabada…
Autora Cris Acqua.
Catálogo de la exposición de Carmen Luna ” Greta y Marlene “en la Casa del Marques de Larios-Torre del Mar-Málaga
GRETA… Silence…
Voices extinguished, by not knowing…
So that they have looked for to you…?
So that they have not found you…?
perhaps… because only in silence,
Art with Art they could unravel your mystery.
Watched… that says…
that it does not say… the dark,
solitude and BEING.
Divine GRETA
unattainable catched for a moment unfinished… ”

Author Cris Acqua. Catalogue of the exhibition of CARMEN LUNA
” Greta and Marlene” in the House of Marquess de Larios- Tower of the Sea-Malaga)

Saturday, October 25, 2008

Belladonna, Adult Film

ART in WALLS ...




"Busco en la lejanía del tiempo, el arte de aquellos que me impresionan...He traído un espectador y juntos, acariciamos las texturas húmedas de los muros, con la fascinación de contemplar un milagro de formas y colores..."

(CRIS ACQUA Artista)




ART in the WALLS…

" I look for in the distance of the time, the art of which they make an impression to me… I have brought a spectator and together, we caressed the humid textures of the walls, with the fascination and to contemplate to a miracle of forms and colors… "

(CRIS ACQUA Artist)

Saturday, October 18, 2008

Soap Dish Stick On Montreal

La colonna maledetta

That 's a very serious experiment in applied sociology. Purpose: To find differences between similar cultures, the way in which 'treated the woman, the way in which you try to sell the information. Technique: web browsing (English by the seller) at the sites of major newspapers in the country analysis.

A single criterion: the pagina principale del giornale cercare la o le foto che ritraggono donne; nude, seminude, in posizioni ammiccanti, pornografiche, sexy, che rimadano in qualche modo al sesso; in mancanza di donne, uomini in simili atteggiamenti; immagini in cui il sesso sia esplicito, altrimenti implicito ma presente; il cui messaggio sia comunque legato al sesso, anche di striscio; in mancanza di tali immagini, prendere immagini di donne in cui la superficie di pelle esposta alla foto sia maggiore...










Insomma, cercare il pornografico nella pagina principale del giornale; in mancanza di pornografia, scendere di aspettative fino a prendere il massimo di carnazza esposta, anche only a bare neck, an ankle, a finger.

Take at least one photo for the newspaper. If there is' more ', take more'. And see the result. Newspapers selected: LeMonde.fr, NyTimes.com, and especially ElPais.es Repubblica.it.

Score: Repubblica.it beats the rest of the world by several orders of magnitude. The exposed flesh, and messages emanating from the accursed column to the right of the news has no equal. Course director and a taste of the samples' available around here.


Note the interest in the buttocks shown in many poses, the use of the female body and to bring the beast 'in the male reader tired to hear that the workers die at work and that Roma camps were burned. Buttocks and nipples are there 'for readers, next to Bush orders a war, the bag collapses, the pope on Sunday, nothing matters, there are only those beautiful little bodies to distract the eye and tickle the groin. Worthy of attention are the titles that accompany these graphics. "The lady Briatore on the cover, the magazine is full of sales", "Eleanor and Barbara Berlusconi dips sisters are a cult," "Comes Jenna zombie stripper." Dificult to lose.

We come to the answer instead of the foreign press to the algorithm used to select pictures (again, on the home page). Here are the results on foreign newspapers. It seems ridiculous comparison, almost teenageriale, but this'. Sometimes the only carnal temptation turns into a cartoon, or a tennis hero. Density 'nipples undetectable.

Conclusion: the foreign papers seem to indicate that to sell a newspaper (online means that make them desirable for subsequent visits) is not necessary exposure of the naked body in images that recall the sex or not commonly . Republic (but also corriere.it) that do not. In Italy the serious information of this newspaper goes hand in hand with the buttocks of the Navy. What disturbs and 'that Repubblica.it forget one important thing: the Internet and you' free to choose. Going on a national news site (in which items are processed and serious), the player is choosing not to consume the product that goes under the name of child, no matter if the word is not 'the correct one. It 'free to do so by simply choosing another address, such that it addresses and' the full network.

Do not misunderstand this experiment, it is not bacchettonaggine. It 's not the point here pornography. And 'the strategy of the paper, and' the seriousness' of the paper, which reflects the end of the country. It 'a showcase for all of us. They are not asses the problem, but the ass in that position, close to the prime minister, close to the pope, near a war, a important comment. Why 'are there? 'Cause that window? And 'the Italian who buy more' if there are tits to the wind or do they change us from genetically? Really need? But there playboy.com! the Latin '? And then in Spain, where the most erotic and 'the sweat of Nadal? I miss you can 'give, at least directly, blame Berlusconi this time, being an opposition newspaper, not Panorama.

I can tell you that we laugh at the foreigners I knew seeing the home page, and simply do not understand how a tissue can become Minister of Equal Opportunities'. But women who think? It 's not that they would like more' real men in that column?

Wednesday, October 8, 2008

Shawn Michaels In Bubble Letter



The 12 2 well tempered.

Playing the guitar can 'rise to the question (or not?) Because of' the frets are arranged in a way that not even on the neck. The frets are the metal arms that are perpendicular to the strings on the neck and demarcate "notes" of the guitar (as in instruments such as violins, violas and basses do not exist).

And then I wondered why ' their distance decreases in the guitar, and especially as decreases, because' I knew something interesting. And indeed it and '(or not?). And it goes far away, the trees of Western music as we know it. Despite being a total ignorant of music history, I venture to an account that will be 'full of historical errors (I hope not mathematicians).

Before Bach would make it officially recognized, the music (or rather the way of playing and writing) was different. The reason was its fundamental building blocks, notes. The notes were not those that we know. Every note and 'in truth' a frequency of an acoustic wave, then the frequencies used, say in the Middle Ages, were not those who use Max Pezzali nowadays (which begs the question whether there has been a real evolution).

The reason for this difference lies in the scales used. Before Bach (which I use as a reference I do not know how well) crazy Pythagorean scale or a relative call Natural , while Bach and Max Pezzali decided that this did not go too well together and coined the so-called Temperate . Then Bach wrote The Well-Tempered Clavier and Max Pezzali Myth . Both were quite successful, demonstrating the fact that the ear of the people is not 'out of tune and too sensitive to small deviations in frequency. Problems

Pythagoreans

Why 'discordant notes were there. For 883 and 'easy to imagine, but also for Bach non ci si puo' esimere dalla constatazione. Perche' stonature? La scala Pitagorica e' naturale in quanto si basa su un principio immediato: la divisione in due di un intervallo o di una corda di chitarra. Dividendo a meta' una corda (sempre alla stessa tensione) si ottiene il doppio della sua frequenza. Dal principio della divisione a meta' si possono generare tutte le note. E all'orecchio umano questo piace, l'armonia tra le frequenze generate pare naturale . Ma esistono problemi, legate alle terribili quinte del diavolo e al loro famigerato Circolo delle quinte , che mai puo' essere chiuso.


La quinta e' la nota che si ottiene moltiplicando una frequenza f o per 1.5, cioe' 3/2 (cioe' aggiungendole meta' di se stessa, cosa che Pitagora ama fare sempre). La quinta di Do e' Sol per esempio, ovvero f sol = 1.5 f do . Il problema con Pitagora e la sua scala e' che se parto da Do e salgo in frequenza sempre di quinta in quinta, prima o poi vorrei tornare a un Do . Di qualche ottava sopra, ma sempre un Do vorrei. E invece no.




Per ottenere la stessa nota ma all'ottava superiore devo raddoppiare la sua frequenza. I chitarristi sanno che bisogna dividere a meta' una corda per salire an octave, reduce it to one quarter to go up yet another octave, etc.. So if I start with a frequency f or, in the second octave avro ' 2f or, in the third octave frequency will' 4f or and so 'on. At n-th octave the frequency will be 'in general 2 n f or . So Pythagoras

with its scale that would, rising fifth in the fifth , a frequency f or we can get to some of the eighth f or . Go up fifth in the fifth by f or , say a number of times m, mean change from frequency f or frequency 1.5 m or f (following the same reasoning above for the "passing of eighth in eighth, but with 1.5 instead of 2). And here's the problem. Pythagoras then that would be true for some n eighth and fifth some m that 1.5 m or f n = 2 f or , or that 1.5 m n = 2 . But it is not 'possible' cause no two numbers n, m that makes this expression true. So

. Well 'the problem with the Pythagorean scale was therefore moving away from the initial note is not returned to precisely the same after a few octaves (n = 7 should be ). The thing that made it difficult to write and play music, especially when composers began to not just the usual few eighth in their compositions. It 's like saying that the Do the right of the keyboard of a piano was out of tune with what the left. Bach as unacceptable for Max Pezzali (even using him more than three notes, that was a matter of principle).

Mix via the linearity '

So how? On the one hand, the Pythagorean Scale was naturally harmonious because of divisions in the middle ', the other could not close the circle of fifths evil. The solution was to let small imperfections and approximate frequency to get a piano and a guitar can be tuned and played. Bach heads 'that was more' important to have the same Do across the keyboard of his piano, rather than preserve the harmony of course "linear". On the other hand, had to think, who in future would have appreciated those little imperfections Max Pezzali Pythagorean case would not have done too. And Myth pote' librarsi in cielo, e il Karaoke vedere la luce del giorno quando l'umanita' fu finalmente pronta.


Il problema era riuscire a dividere l'intervallo di un'ottava (cioe' da f o a 2f o ) in 12 parti (perche' compresi i # le note sono 12) in maniera speciale. Cioe' in maniera che le frequenze di due note successive stessero sempre nello stesso rapporto . Vediamo come e poi il perche' si capira'.


Se parto dalla frequenza f o , voglio che dopo 12 di questi intervalli la nota sia la stessa ma un'ottava sopra, cioe' 2f o .
Diciamo che f 1 and 'the frequency of the note next to f or in this new scale, and f the next 2 to 1 f , etc.. (So \u200b\u200bit would be for example, or f = Do , f 1 = C # , f 2 = Re , etc.).. Then we said that we should have the twelfth note of the scale equal to the first but an octave higher, ie 'f 12 = 2f or .

addition, however, 'we want two successive notes are always in the same report. We call this relationship x, and the problem becomes find it. So that has to happen: 1

f = f x or
f 2 = f x 1 = f or x 2
f 3 = f 2 x = f x or 3
(...)
11 f = f x = f 10 or x 11
12 f = f 11 x = f or x 12 = 2f or

And finally comes the last report find that the relationship between two successive frequencies that would solve all the problems and 'x = 12 2 ( = 1.0594 ..., irrational number, and that 'an opinion on him but indicates that it is not' a number expressed by a fraction). Pezzali cheers, his records are safe. To pass from one note f n the next f n +1 we need to multiply the frequency of the first to x = 12 2 . Here invented semitone. Indeed

see what happens with the fifth (the 'cause of this choice.) A fifth interval (to to Do Sol for example) contains 7 semitones, then the fifth or f and 'f

f = 7 or ( 12 2) 7

ie 'the fifth report and' 7 f / f or = ( 12 2 ) 7 = 1.4983 ... , instead of the Pythagorean 1.5. Minimum difference, the ear does not notice. In addition 'the important thing' that if by hours or f climb to fifth with 12 intervals (ie 12 times 7 semitones) you get:

f (7 x 12) = f or [(12 2) 7] = f 12 2 or 7 ,

which means that after 12 fifths ( f (7 x 12) ) finally ritroviamo perfettamente un'ottava (la 7 ma ottava) della nota di partenza f o (cioe' f o 2 7 ). Il circolo delle quinte e' finalmente chiuso.

Capotasti



Tornando ai capotasti della chitarra, da cui tutto e' nato, la cosa e' esattamente la stessa, tranne per il fatto di ricordarsi che la frequenza di una corda e' inversamente proporzionale alla sua lunghezza l . La nota f o viene dalla corda intera l o , la nota al primo capotasto f 1 viene dalla lunghezza della corda l 1 , ... . Then the lengths of the rope to the various notes of the scale should be (it is always x = 12 2): 1

the or = l / x
the 2 or = l / 2 x
(...)
the n = l or / x n

If we are to what the frets spaced together, the length of the keyboard between two frets higher (nth and (N +1)-th ) will '

c n = l n - l n +1 the or = (1 / x n-1 - 1 / x n )

So 'the first nut and' along the 5.61% of the or , the second 5.29%, 5.00% the third, ... The twelfth 2.80%. Anyways, 'who wants can' build a guitar now. Leave you a comment myth will 'appreciated but does not hold.

Sunday, September 14, 2008

Backsplash On Drywall

Designer (Our customers know for us the details are essential)



50 years custom design furniture made to last with quality materials and attention to every detail. Each decoration is important and its history is about people, ideas and projects for us every customer is unique as the custom-made furniture that realizziamo.Arredare is our vocation and our mission to satisfy the customer.
Our history
Born in 1957 in San Vendemiano (TV), Cole for 50 years is a benchmark for the international market in the realization of arredamenti.L 'furniture company offers turnkey, where style original colors and fine materials combine to create unique and inimitable productions that last tempo.Dal 2004 Coletti entra nel gruppo INDUSTRIEIFI, primaria realtà industriale in Europa con diversi marchi specializzati nell´arredo per locali pubblici e contract, con un´offerta che spazia dal modello industriale a quello su misura.Dal 1957 Coletti crea arredamenti su misura per eis cafè, gelaterie, bar, caffè, ristoranti, pub e locali pubblici in genere. Inoltre, l´azienda vanta una lunga esperienza nella realizzazione di macchine ed impianti di refrigerazione ad alte prestazioni.Coletti significa tradizione, innovazione, esperienza, qualità dei materiali e investimenti in ricerca e sviluppo.Qualunque locale abbiate in mente, Coletti vi aiuterà a realizzarlo. http://www.colettiarredamenti.com/

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Mouthwash Kate Nash, Piano

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The central facility comprises a single machine operation multiple refrigeration units, replacing the traditional engine room more compressors.


power plants are supplied, depending on the required cooling capacity, with two-or three-hermetic compressors. http://www.centerfrigo.it/

Saturday, August 30, 2008

Genital Warts Acrylic Acid

1 ° Concorso d'Arte "COLORI IN Emersion" ORIGAMI


1° Concorso d’Arte “COLORI IN EMERSIONE” 2008-2009

L’idea del concorso we are going to present comes from deep desire to broaden the horizons of Expoarte, Art and Culture Network. It is an irrefutable reality the continued occurrence of unexplained situations within the art world: there are many artists in the possession of exceptional gifts, working with passion and great seriousness, which, despite themselves, find themselves on the margins of the circuits that matter.
Prize Colors surfaced "sets himself the task of giving space and voice to all those artists who work in the shadow of the art national and international circuits, emphasizing the quality, bringing to the attention of collectors and galleries , modernize the obsolete fees traditional through which they insist to operate blindly and detrimental to the Art itself.
In order to make this possible, the winners will receive visibility on a review of the field and the ten finalists will have the opportunity to put in a great collective art exhibition dedicated to them.

... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ..
COMPETITION 2009

1) "Expoarte, Network for Art and Culture", in order to promote and enhance the art, is organizing the 1st Edition "on line" of the Concorso d'Arte "COLORS IN EMERGENCE".
The competition is open to all. The theme is free

Every artist, Italian or foreign, can participate with two works ranging in size from a minimum to a maximum 40x50 80x80,
is allowed every technique and artistic expression, (oil, acrylic, mixed media, drawing, watercolor , engraving, screen printing, lithography, drawing, cartoon, digital photography, etc ...)

2) The two works in digital format (. jpg, resolution, maximum width 600 pixels) should be sent by e-mail together with the form apposito alla pagina "Scheda di adesione", entro e non oltre il 30 ottobre 2008.

In questa prima fase non è richiesta alcuna quota di partecipazione.

3) Le opere inviate saranno sottoposte ad una preselezione, questo per garantire la massima qualità e la buona riuscita del concorso. Qualora non si dovesse raggiungere un numero minimo di partecipanti quantificato in almeno 35 unità, il concorso verrà posticipato a data da destinarsi. In tal caso tutti i candidati che avranno già inviato materiale e scheda di adesione saranno avvertiti a mezzo e-mail, ed inoltre la notizia del posticipo verrà bandita sul portale ExpoArt ( http://expoartcc.ning.com ).

4) Nella fase successiva, participants who pass the pre-selection process will be notified by the jury, within 10 days via email.
To contribute to the final selection, which will set out the winners of the award, agreeing to participate in the competition as finalists, they will be required to pay a fee for inclusion, necessary for organizational purposes.

The registration fee is fixed at a sum of € 15 payable to the account PostePay N 4023 6004 2076 9897 payable to Charles Capone



* PRIZES 1st Prize publication in a journal known in the industry

REPORTED

I 10 have reported the possibility of exhibiting in a show collective organized by the "E xpoArt , Network for Art and Culture

All finalists and commended by the jury will be awarded diplomas of merit.

The award should not be considered as the purchase award winning work reported or retained by the author.

5) The portal http://expoartcc.ning.com after January 20, 2009, the results will be published with the minutes of the jury, the names of the finalists, the winners of the reported and the published works, with having to specify that the portal of Expoarte not be liable for any use that third parties could make copies of published su internet.

Per ulteriori informazioni: Carmine Verazzo Amministratore del portale ExpoArt 3397655841-

***************************************************************************

SCHEDA DI ADESIONE preselezione

Nome*……………………………. Cognome* ……………………………………………….
Indirizzo………………………………………………………………………………………..
Città………………………………………………………….. Nazionalità………………………
Telefono……………………………… Cellulare…………………………………………………
E-mail*……………………………………………………………………………………………
Website ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ...

The undersigned, having read the rules to participate in ' 1 ° Concorso d'Arte "COLORS IN EMERGENCE" 2008-2009, hereby fully accept all its provisions and without exception, I hereby exempt the organization from the compensation of any damage suffered by his work during the transportation and stay on the premises of the Prize. Therefore, participating in the Prize by presenting the following works:

title work ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .... Technical ... ... ... ... ... ... ... ... ... ... ... ...
years ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ...

title work ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .... Technical ... ... ... ... ... ... ... ... ... ... ... ...
anno ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... NEED TO

è inviare via e mail him apposite immagini alla Join the module page "Scheda di adhesion, and non entered oltre il 30 ottobre 2008.
at the following address: expoart@email.it

signature data

Monday, August 25, 2008

Facial In Mainstream Movies

2008-2009 or the new ART

"... I knew the passion that has Cris Acqua by the textures, lights and shadows, folds, by manuscripts, parchments and papyrus ... the art of folding paper ... (ORIGAMI in Japan) by those transparencies of silk on dark backgrounds that teach us ... "that things exist before there ..." His most beloved works of art, fold, bend, twist ... and when they rebel, they hide behind invisible forms ... I invite you to enjoy all this and more ... as much as your imagination allows you ... and if you feel like you have the possibility of having and collecting some of these beautiful works ... (Giovanna Di Arco-collector and art critic)

http://www.crisacqua.com

"... It Knew of the passion That you Cris Acqua by the textures, by the lights and shades, you fold by them, by the manuscripts, parchments and papyruses… by the art to double papers… (ORIGAMI in Japan) by those transparencies of soothe on dark bottoms that teach… " to us; that the things exist, before existing… " His more dear works of art, are folded, bend, they twist… and when they are rebelled, they hide behind invisible forms… I invite to you to enjoy all this and more… as much, as your imagination allows you… and if it desires to you, teneis the possibility of having and of collecting some of these beautiful works…

(Giovanna Di Arc-Collector and criticism of art)


Friday, August 8, 2008

What Does Pl2303 Look Like

Editoriale di Nature

's the point of view on an issue of Nature all Italian. Provided that some of our interests.



Editorial


Nature 454, 667 (7 August 2008) drugs and fix their prices.


Steps were taken to avoid such a situation arising again. So it is worrying that Nello Martini, a pharmacist with no political associations, has been removed by Prime Minister Silvio Berlusconi's new government as head of AIFA, the autonomous agency created in 2004 to register drugs and supervise their use. Martini successfully carried out a mandate to limit spiralling drug expenditure to 13% of the total health budget. But in the process he incurred the wrath of industry. Only a few weeks ago, government prosecutors in Turin charged Martini with disastro colposo, or 'causing unintentional disaster', for bureaucratic delays in updating the packaging information on the side effects of a few drugs — although none required more than minor rewording of existing text.


Martini was replaced in the middle of July by microbiologist Guido Rasi, a member of AIFA's administrative board, who has been described in the Italian press as being close to the far-right party Alleanza Nazionale, which forms part of Berlusconi's coalition government. Even more worryingly, the government, which took office in May, says it plans to reduce AIFA's power by separating the pricing of drugs from technical considerations of their efficacy, bringing pricing back into the health and welfare ministry.


At a time when all countries are struggling to find a way to pay for hugely expensive new-generation drugs within limited budgets, this makes little sense. The autonomous agency needs to be able to integrate all technical and economic information if Italy is to operate a cost-effective health system. Moreover, the health and welfare ministry's connections with industry are uncomfortably close. For example, the wife of the minister Maurizio Sacconi is the director-general of Farmindustria, the association that promotes the interests of the pharmaceutical industry.

In fact, Berlusconi's government has shown unsettling tendencies to allow industrial interests to gain influence over state agencies. A few weeks after Martini's dismissal, the Italian space agency was put into the hands of a commissioner who heads the space division of the aerospace giant Finmeccanica. The government should think twice about whether it really wants to open the door that was deliberately closed after the Poggiolini affair.



Thursday, July 17, 2008

Referred Pain Of Kidney

Internet anonimo ovvero sicuro



cliccare qui per vedere quante cose si possono sapere di chi naviga in rete. La cosa un po' spaventa. Ma c'e' un modo per navigare in modo da nascondere il proprio indirizzo IP, collegandosi casualmente a molti server sparsi nel mondo prima di raggiungere il sito voluto. In questo modo si perdono le tracce del proprio computer, e si diventa anonimi, con un IP casuale nel mondo, e quindi sicuri di non poter essere rintracciati.



Tor

e' lo strumento necessario. Ecco quello che ho fatto io per installarlo easily and make it work in Firefox (Iceweasel) on Debian Etch.

Here are the instructions for Windows or Mac 1) in Debian Etch Tor is not 'available, so you need to enable backports of Debian. To do this, add / etc / apt / sources.list deb

line http://www.backports.org/debian etch-backports main contrib non-free aptitude So you have to upgrade, but before there 'to resolve the issue of keys, otherwise
aptitude complains. Installing as root, the package debian-backports-keyring
, everything is done automatically: # Aptitude install debian-backports-keyring 2) Once activated the backports, I could finally download tor, along with web proxy privoxy
, which will be 'good with Firefox.

# aptitude-t etch-backports install # aptitude install tor privoxy 3) Then I configured privoxy
:
in the configuration file / etc / privoxy / config
must:
- uncomment (or add) the forward-line

socks4a / 127.0.0.1:9050. (watch to the end point) - giving the value 0 (zero) to the following options: enable-remote-toggle, enable-remote-http-toggle , Enable-edit-actions

- if you do not want privoxy maintains a log file, then comment out the line: logfile logfile
and jarfile jarfile
. Then restart with privoxy: privoxy restart # 4) In Firefox (or browser you choose) must change the settings for connecting to the Tor network to enable
. In Firefox (Iceweasel) are Edit - Preferences - Network - Connections . So we have to write localhost

and 9050 in the "SOCKS Host" (socks v5 worked for me). But in truth 'and the best thing' to install the add-on Firefox called Torbutton , which in a single click you can change the necessary configuration and have Tor enabled or disabled. This new button in firefox works fine after following the above steps. Using Tor, sometimes I google comes up in Russian ..

Friday, July 11, 2008

How To Hack Three Dongle

ENTRIAMO Cris Acqua di Palumbo NEL SOGNO


ENTRIAMO NEL SOGNO
mostra personale di Palumbo

dal 6 al 28 settembre 2008 - Alassio - Galleria Arte è Kaos

Per informazioni:
Studio d’Arte Palumbo - Tel. 347 8143278 - info@palumbociro.it
Galleria Arte è Kaos - Tel. 0182 648816 - arteekaos@hotmail.it